“I Got One More!” liner notes by Lee
Hildebrand - from CD.
“I got one more!” bassist Kurt Ribak calls to the
band at
It’s one of 10 original tunes
comprising Ribak’s
fourth CD
fearing he lacked the endurance for
two. His auto
so severely it was thought he might
never
But as he played, he felt no pain and
took
like Charles Mingus or Milt Hinton.
A Berkeley, California native and
resident, Ribak
affinity for rhythm. His mother
danced him around
the
dancing by himself to the rhythm of
the family
dishwasher.
The burly bassist half jokingly calls
what he does “music
of dance rhythms. When people dance
to it, they’re
dumbed-down. Kurt says, “It’s
important to reach out
to
accessible. They simply come out how
they come out.”
The dance-inspired grooves of I Got One
More! are
and the witty “My Bald Head” (Ribak
sings his own
“Hana Bay” is a bossa nova, while
“Morning Hymn” is
Dignity”) is a bolero. Other tracks
are the
soul-jazz
(dedicated to both trombonist
Priester and
saxophonist
written for Ribak’s mother, employs
three different
inspired in part by “Reincarnation of
a Lovebird”
and
The bassist’s three previous albums
were piano trios - with a few guests sitting in on the
second, 2007’s More.
The new recording, I Got One More! features
larger
has played in Ribak’s group since
2003 and played
acoustic and electric pianos and
Hammond organ.
He has known Ribak since they sang as
children in
the
member of the Bay Area jazz-funk
group Times 4. Alan
drummers, plays on every song.
Percussionist
Michaelle
eight tracks, alternating between
trombone, trumpet,
rhythm guitar on two selections, and
rockabilly,
country,
another tune.
Ribak’s return to making music is an
inspiring
story. On
bassist’s truck, flipped it on its
side, and mangled
his
transported to Highland Hospital in
Oakland. “I was
told
Hospitalized for a month, he
underwent seven
surgeries
his left arm and hand. Kurt had to
re-learn to play
the
had additional operations before
recording "I Got One
to use his fourth finger, he had to
change his fingering
Ribak says, “Down the road I may have
more ability
to
I had to make my style more minimal
because of the
than run around on the fingerboard.”
Ribak ruefully
notes
Besides Charles Mingus and Charlie
Haden, Ribak
his playing. The bassist credits
Mingus, Abdullah
Ibrahim,
his writing.
—Lee
Hildebrand,
longtime contributor to the San Francisco Chronicle